Interview with Anna Drubich
Invoking bitingly humorous werewolves and a deadly serious witch, a multi-faceted Russian composer makes a name for herself in Hollywood horror
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16Jul2021
15Jul2021
Interview with Starr Parodi
Musically painting for live, living pictures at the enduring Pageant of the Masters
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14Jul2021
Interview with Frank Ilfman
Whipping up nutty assassin grrl power score for “Gunpowder Milkshake”
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25Jun2021
Interview with Max Aruj
A rising composer scores the triple threat of “The Ice Road’s” slippery action to “Lansky’s” warped morals and the ancient fury of “Wrath of the Druids”
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07Jun2021
Interview with Jeff Grace
Finding the emotional spot for a post-apocalyptic deer boy fairy tale in “Sweet Tooth”
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04Jun2021
Interview with Amie Doherty
Taking a sweeping, girl power orchestral ride with “Spirit Untamed”
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09Apr2021
Interview with Trevor Gureckis
Going from sonic sci-fi structure to Lord of the Flies frenzy in space alongside the “Voyagers”
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12Mar2021
Interview with Electric Youth and Pilotpriest
The 80’s ghost in the synth machine has never been more alive than in a soundtrack explosion exhumed from the likes of Charles Bernstein’s “A Nightmare on Elm Street,” John Carpenter and Alan Howarth’s “Prince of Darkness” and Michel Rubini’s “Manhunter.” It’s a tone that can be both rhythmically aggressive and ethereally haunting, particularly when […]
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05Mar2021
Interview with Jermaine Stegall
A new scoring prince gets his Hollywood coronation by taking Zamunda travel arrangements to a vibrantly funny new musical future
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01Mar2021
MARCH SOUNDTRACK REVIEWS
Check into the creative terror of “Psycho III” and “Willy’s Wonderland” among such notable soundtracks as “Banning,” “Barb & Star Go to Vista Del Mar,” “Below Zero,” “Judas and the Black Messiah,” “Mortal,” “Raya and the Last Dragon” and many more!
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26Feb2021
15Feb2021
12Feb2021
Interview with Emile Mosseri
Of the new crop of composers to spring from an indie sensibility and all of the fertile, innovative ideas that come with it, perhaps no musician has captured the idea of what it is to find an outsider’s American measure of success than Emile Mosseri. Hailing from Egyptian roots, Mosseri has poetically captured themes of […]
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08Jan2021
18Dec2020
Interview with Branford Marsalis
There’s often no pressure cooker like a recording studio where the clock is running, and the egos are flaring. Add to that the rage of racial injustice and the diva behavior of an ego that’s earned and it’s a session ready for an eruption. The tortuous, yet tuneful process of getting that song sung opens […]
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15Dec2020
THE BEST SCORES OF 2020
“The Queen’s Gambit” makes the winning move on a notable playing field
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24Nov2020
15Nov2020
Interview with Dara Taylor
Putting hypnotic structure to criminal chaos with “Echo Boomers”
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23Oct2020
Interview with Carlos Rafael Rivera
Making the winning melodic moves with “The Queen’s Gambit”
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06Oct2020
28Sep2020
Interview with Marc Streitenfeld
Continuing to explore alien worlds and the nature of android parenting in “Raised by Wolves”
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22Sep2020
Interview with Will Bates
Piloting an alternative musical route to Mars while staying on earth with “Away”
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18Sep2020
Interview with Nate Wonder and Roman Gianarthur Irvin
Two brothers score with old school to blow up the white supremacist “Antebellum”
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21Aug2020
Interview with David Buckley
Veering from the sonic insanity of “Unhinged” to the emotional apocalypse at “Greenland”
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07Aug2020
18Jun2020
Soundtrack Picks: BAD EDUCATION is the top soundtrack to own for JUNE, 2020
Also worth picking up: A BRIEF HISTORY OF TIME, DA 5 BLOODS, DEATH RACE 2000, FAR AND AWAY, LEGENDS OF THE FALL, THE STORY OF O2, VILLAIN, WE SUMMON THE DARKNESS, WESTWORLD SEASON 3 and many more!
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15Jun2020
Interview: Director Jesse V. Johnson and composer Sean Murray
A kick-ass double team has the bill come due again for a martial arts star who’s taking names
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05Jun2020
Interview with Tamar-kali
Creating a hauntingly surreal score for “Shirley’s” tale of madness and eroticism
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25May2020
01May2020
Interview with Nathan Barr
Going inventively old and new school with “Hollywood” and “The Great” while finally catching “The Hunt’s” darkly satirical quarry
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