Of the new crop of composers to spring from an indie sensibility and all of the fertile, innovative ideas that come with it, perhaps no musician has captured the idea of what it is to find an outsider’s American measure of success than Emile Mosseri. Hailing from Egyptian roots, Mosseri has poetically captured themes of […]
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There’s often no pressure cooker like a recording studio where the clock is running, and the egos are flaring. Add to that the rage of racial injustice and the diva behavior of an ego that’s earned and it’s a session ready for an eruption. The tortuous, yet tuneful process of getting that song sung opens […]
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“The Queen’s Gambit” makes the winning move on a notable playing field
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Putting hypnotic structure to criminal chaos with “Echo Boomers”
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Making the winning melodic moves with “The Queen’s Gambit”
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Continuing to explore alien worlds and the nature of android parenting in “Raised by Wolves”
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Piloting an alternative musical route to Mars while staying on earth with “Away”
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Two brothers score with old school to blow up the white supremacist “Antebellum”
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Veering from the sonic insanity of “Unhinged” to the emotional apocalypse at “Greenland”
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Also worth picking up: A BRIEF HISTORY OF TIME, DA 5 BLOODS, DEATH RACE 2000, FAR AND AWAY, LEGENDS OF THE FALL, THE STORY OF O2, VILLAIN, WE SUMMON THE DARKNESS, WESTWORLD SEASON 3 and many more!
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A kick-ass double team has the bill come due again for a martial arts star who’s taking names
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Creating a hauntingly surreal score for “Shirley’s” tale of madness and eroticism
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Going inventively old and new school with “Hollywood” and “The Great” while finally catching “The Hunt’s” darkly satirical quarry
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Musically marching on the side of the left, and right with “Mrs. America”
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Creating a show, and score that where music breaks free the soul
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Rhythmically scoring men of action with “Bloodshot” and “Spenser: Confidential”
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Musically bonding “Onward” for a fantastical quest to a real, shared past with an especially personal Pixar film
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DOLORES CLAIBORNE: THE DELUXE EDITION is the top soundtrack to own for FEBRUARY 2020
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Scoring into the mouth of cosmic madness to conjure a Lovecraftian miasma for “Color out of Space”
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Scoring intimately on his Star Trek voyages by going back to The Next Generation’s “Picard”
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Creating scores that speak for crime and the ultimate punishment with “Clemency” and “Just Mercy”
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Film music journalist Daniel Schweiger interviews composer THOMAS NEWMAN, whose music ventures through the horrors and heroism of WW1’s front lines in 1917
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A composer and director create the ultimate musical love letter to Luisa May Alcott, with a difference
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The unhinged melodies of Hildur Guðnadóttir’s “Joker” and Daniel Pemberton’s “Motherless Brooklyn” lead an impressive dance for The Best Scores of 2019 and The Composers to Watch
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