October Soundtrack Picks
“HALLOWEEN” is the Top Soundtrack to own for OCTOBER, 2018
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23Oct2018
04Oct2018
Interview with Dominic Lewis
Scoring the not-so alternate fascist world order for a new season of “The Man in the High Castle”
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03Oct2018
19Sep2018
31Aug2018
Interview with Abel Korzeniowski
Venturing from “Penny Dreadful” to Blumhouse’s Abbey of Horror
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21Aug2018
August Soundtrack Picks
Soundtrack Picks: “MISSION IMPOSSIBLE: FALLOUT” is the top soundtrack to own for AUGUST, 2018
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16Aug2018
14Aug2018
Audio: Interview with Brian Tyler
Film music journalist Daniel Schweiger interviews composer BRIAN TYLER, who swings with wealth from the comedic Singapore jet set of CRAZY RICH ASIANS to the dramatic power of the hit show YELLOWSTONE
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08Aug2018
Interview with Fabio Frizzi
A master of Italian horror scoring picks up the strings for a famed continental villain and his playthings with “Puppet Master: The Littlest Reich”
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11Jul2018
Interview with Steve Jablonsky
Scaling new heights of action scoring excitement with “Skyscraper”
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03Jul2018
Interview with Christophe Beck
Getting even bigger with his score for “Ant-Man and the Wasp”
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26Jun2018
13Jun2018
23May2018
Audio: Interview with John Powell
Film music journalist Daniel Schweiger interviews composer JOHN POWELL, who talent for epic fun now reaches a galaxy far, far away with the loveable space pirate scoundrel SOLO: A STAR WARS STORY
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17May2018
15May2018
Interview with Nima Fakhrara
Musically voicing one of a trio of androids seeking a soul in the ever-changing videogame “Detroit Become Human”
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02May2018
Interview with John Massari
Reimagining an rocking 1950’s-style orchestral big top for the 80’s cult classic “Killer Klowns from Outer Space”
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12Apr2018
Audio: Interview with Andrew Lockington and Brad Peyton
Film music journalist Daniel Schweiger interviews composer ANDREW LOCKINGTON and director BRAD PEYTON on a collaboration that now reaches its height of thrilling fury with RAMPAGE
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04Apr2018
Interview with Marco Beltrami
Scoring a family who must avoid sound at all monstrous costs in “A Quiet Place”
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03Apr2018
Interview with Garth Stevenson
Hearing the death of a woman, and a presidential dream in the haunted waters of “Chappaquiddick”
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20Mar2018
Interview with Laurent Perez del Mar
Powerfully scoring between the words of reality and fantasy for “I Kill Giants”
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23Feb2018
Interview with Geoff Barrow
Creating a new force of alien scoring with Ben Salisbury for “Annihilation”
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21Feb2018
16Feb2018
Interview with Alex Gibson
A music editor marches to Hans Zimmer’s rhythm for “Dunkirk” for a historic Oscar nomination as co-leader of the sound editorial troops
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15Feb2018
04Jan2018
Interview with Jason Hill
Hearing the eerily twisted musical words that makes for “Mindhunter’s” killer interviews
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20Dec2017
Inteview with Daniel Pemberton
Cashing in with “All the Money in the World” and “Molly’s Game”
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13Dec2017
The Best Scores of 2017
Alexandre Desplat’s “The Shape of Water” rides the wave of The Best Scores of 2017
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30Nov2017
28Nov2017
Audio: Interview with Alexandre Desplat
Film music journalist Daniel Schweiger interviews composer ALEXANDRE DESPLAT, who beautifully transmutes the language of inter-species love into the French-accented THE SHAPE OF WATER
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