Interview with Disasterpeace
After playing the retro horror of IT FOLLOWS and the morally conflicted action of TRIPLE FRONTIER a tone-shifting composer now channels the film noir to be found UNDER THE SILVER LAKE
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17Apr2019
04Apr2019
Interview with Christopher Young
HELLRAISER’s master of old school horror scoring gets transformed by being re-buried in a PET SEMATARY
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25Mar2019
Interview with Michael Abels
“Get Out’s” composer takes a new musical trip downwards for the visceral terror and metaphoric fear of Jordan Peele’s US
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13Mar2019
Interview with Rob Simonsen
One of drama’s most creative composers ventures into the worlds of science fiction and superheroes with CAPTIVE STATE and FAST COLOR
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05Mar2019
Audio: Interview with Pinar Toprak
Film music journalist Daniel Schweiger interviews composer PINAR TOPRAK, the rising super heroic composer of TV’s KRYPTON who now hits the cinematic stratosphere and beyond with CAPTAIN MARVEL
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26Feb2019
February Soundtrack Picks
“HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD” is the top soundtrack to own for FEBRUARY 2019
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21Feb2019
Interview with Joe Kraemer
Giving musical truth to a not-so tall tale with “The Man Who Killed Hitler and then the Bigfoot”
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13Feb2019
Audio: Interview with Junkie XL
Film music journalist Daniel Schweiger interviews composer JUNKIE XL, a composer of tech-filled epic adventure who now finds the orchestral soul in the fighting machine called “ALITA: BATTLE ANGEL”
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06Feb2019
Interview with Jeff Russo
Bringing the heroic bands back together with “Star Trek: Discovery” and “The Umbrella Academy”
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16Jan2019
Interview with West Dylan Thordson
Assuming multiple musical identities for M. Night Shyamalan’s real world superheroes in “Glass”
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19Dec2018
Interview with Mychael Danna
Winning the case for a cinematic Ruth Bader Ginsburg with “On the Basis of Sex”
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18Dec2018
Audio: Interview with Rupert Gregson-Williams
Film music journalist Daniel Schweiger interviews composer RUPERT GREGSON-WILLIAMS, who powerfully segues in the DC universe from Amazons to Atlanteans with AQUAMAN
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12Dec2018
The Best Scores of 2018
Justin Hurwitz’s “First Man” launches an impressively iconoclastic fleet of The Best Scores of 2018
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05Dec2018
Interview with Max Richter
A king of modern classical scoring continues his reign with “Mary, Queen of Scots”
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07Nov2018
Interview with Roque Banos
A Spanish composer spins a new thread in the music of a Swedish super-hacker of “The Girl in the Spider’s Web” while taking on his country’s most legendary mad nobleman for Terry Gilliam’s resurrected opus “The Man Who Killed Don Quixote”
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01Nov2018
Interview with Danny Bensi, Saunder Jurriaans and Joel Edgerton
An eclectic indie composing duo team again with a daring filmmaker-actor to play the impossible conversion of “Boy Erased”
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23Oct2018
04Oct2018
Interview with Dominic Lewis
Scoring the not-so alternate fascist world order for a new season of “The Man in the High Castle”
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03Oct2018
19Sep2018
31Aug2018
Interview with Abel Korzeniowski
Venturing from “Penny Dreadful” to Blumhouse’s Abbey of Horror
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21Aug2018
August Soundtrack Picks
Soundtrack Picks: “MISSION IMPOSSIBLE: FALLOUT” is the top soundtrack to own for AUGUST, 2018
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16Aug2018
14Aug2018
Audio: Interview with Brian Tyler
Film music journalist Daniel Schweiger interviews composer BRIAN TYLER, who swings with wealth from the comedic Singapore jet set of CRAZY RICH ASIANS to the dramatic power of the hit show YELLOWSTONE
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08Aug2018
Interview with Fabio Frizzi
A master of Italian horror scoring picks up the strings for a famed continental villain and his playthings with “Puppet Master: The Littlest Reich”
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11Jul2018
Interview with Steve Jablonsky
Scaling new heights of action scoring excitement with “Skyscraper”
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03Jul2018
Interview with Christophe Beck
Getting even bigger with his score for “Ant-Man and the Wasp”
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26Jun2018
13Jun2018
23May2018
Audio: Interview with John Powell
Film music journalist Daniel Schweiger interviews composer JOHN POWELL, who talent for epic fun now reaches a galaxy far, far away with the loveable space pirate scoundrel SOLO: A STAR WARS STORY
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