Interview with Marco Beltrami
Scoring a family who must avoid sound at all monstrous costs in “A Quiet Place”
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04Apr2018
03Apr2018
Interview with Garth Stevenson
Hearing the death of a woman, and a presidential dream in the haunted waters of “Chappaquiddick”
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20Mar2018
Interview with Laurent Perez del Mar
Powerfully scoring between the words of reality and fantasy for “I Kill Giants”
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23Feb2018
Interview with Geoff Barrow
Creating a new force of alien scoring with Ben Salisbury for “Annihilation”
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21Feb2018
16Feb2018
Interview with Alex Gibson
A music editor marches to Hans Zimmer’s rhythm for “Dunkirk” for a historic Oscar nomination as co-leader of the sound editorial troops
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15Feb2018
04Jan2018
Interview with Jason Hill
Hearing the eerily twisted musical words that makes for “Mindhunter’s” killer interviews
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20Dec2017
Inteview with Daniel Pemberton
Cashing in with “All the Money in the World” and “Molly’s Game”
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13Dec2017
The Best Scores of 2017
Alexandre Desplat’s “The Shape of Water” rides the wave of The Best Scores of 2017
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30Nov2017
28Nov2017
Audio: Interview with Alexandre Desplat
Film music journalist Daniel Schweiger interviews composer ALEXANDRE DESPLAT, who beautifully transmutes the language of inter-species love into the French-accented THE SHAPE OF WATER
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21Nov2017
Interview with Dario Marianelli
Scoring the speech of no surrender for Winston Churchill’s “Darkest Hour”
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20Nov2017
November Soundtrack Picks
Also worth picking up: THE BAD SEED, BATMAN AND HARLEY QUINN, BETTING ON ZERO, DON’T LOOK NOW, LADY BIRD, THOR RAGNAROCK, TROY and many more
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02Nov2017
Interview with Graham Reynolds
A composer who carries the indie torch for director Richard Linklater now picks up a 70’s rock groove for aging vets in “Last Flag Flying”
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26Oct2017
Audio: Interview with Carter Burwell
Film music journalist Daniel Schweiger interviews composer CARTER BURWELL, a musical triple threat this fall as he puts up ironic complaints on THREE BILLBOARDS OUTSIDE EBBING MISSOURI, breaks down time travelling walls in WONDERSTRUCK and ventures back to Winnie the Pooh’s creation for GOODBYE CHRISTOPHER ROBIN
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19Oct2017
Interview with Rob
France’s rising composer of retro-styled horror scoring visits America’s legendary haunted house for “Amityville: The Awakening”
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11Oct2017
Interview with Tom Howe
A strong scoring talent is revealed with the sensual creation of an iconic super heroine alongside “Professor Marston and the Wonder Women”
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03Oct2017
Interview with Joseph Lo Duca and Don Mancini
The terror tag-team of composer and director for horror’s favorite Good Guy multiplies for an asylum holding the “Cult of Chucky”
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27Sep2017
Interview with Nathan Barr
Scoring on through to the other side with a new generation of “Flatliners”
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26Sep2017
21Sep2017
Interview with Clint Mansell
Painting a picture of an artistically possessed icon with “Loving Vincent”
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20Sep2017
Audio: Interview with Matthew Margeson
Film music journalist Daniel Schweiger interviews composer MATTHEW MARGESON, who teams again with Henry Jackman to give Britain’s satirical super spies a new American Spaghetti Western sound with KINGSMAN: THE GOLDEN CIRCLE
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10Aug2017
03Aug2017
Interview with Warren Ellis
Once again haunting the American badlands with Nick Cave for “Wind River”
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18Jul2017
July, 2017 Soundtrack Picks
“WAR FOR THE PLANET OF THE APES” is the top soundtrack to own for July, 2017
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13Jul2017
Interview with Brian Reitzell
Paying eclectic and inventive musical worship to Neil Gaiman’s “American Gods”
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03Jul2017
Interview with Daniel Hart
Hauntingly scoring the white sheet melancholy of the afterlife for “A Ghost Story”
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19Jun2017
Interview with Lorne Balfe
Making equations and icons of history come to musical life with “Genius” and “Churchill”
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06Jun2017
Audio: Interview with Brian Tyler and Alex Kurtzman
Film music journalist Daniel Schweiger interviews composer BRIAN TYLER and director ALEX KURTZMAN, who unleash a newly ancient musical world of gods and monsters for THE MUMMY
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