Orchestration: The Devil Is In The Details, Part 2
Ron Hess discusses how you’ll never achieve the Holy Grail of a perfect sight reading if your notation doesn’t tell each musician at a glance how it’s supposed to sound
Read MoreRon Hess discusses how you’ll never achieve the Holy Grail of a perfect sight reading if your notation doesn’t tell each musician at a glance how it’s supposed to sound
Read MoreRon Hess talks about ideas for arrangements to take your music to the next level
Read MoreRon Hess talks about tension, release, and more – the “grit and gravy” of film music
Read MoreRon Hess talks about ways to inspire your creativity through getting to know your own creative process
Read MoreRon Hess looks at the Finale 2011 upgrade and what it delivers for film and television composers
Read MoreRon Hess looks at the brilliant orchestrations and non-orchestrations of Bernard Herrmann
Read MoreRon Hess talks about some interesting tips for a variety of subjects
Read MoreRon Hess continues his look at ergonomics and music preparation
Read MoreRon Hess explores how better ergonomics can help the music prep process
Read MoreRon Hess takes a different look at the Finale vs. Sibelius notation software debate
Read MoreRon Hess discusses endurance, rests, and some subtler elements of contemporary orchestration
Read MoreRon Hess talks about avoiding hazards with software installs and reinstalls
Read MoreRon Hess talks about how effective cuing can create better performances
Read MoreRon Hess talks about the importance of dynamic range in the composing and orchestration process
Read MoreRon Hess talks about what can be learned from new conductors
Read MoreRon Hess explores the question of whether to use transposed scores or not
Read MoreRon Hess explores a variety of aspects of learning the art and craft of learning orchestration
Read MoreRon Hess continues his series with a look at preparing for the scoring stage.
Read MoreRon Hess, FMM’s “The Chart Doctor”, talks about the future of musicians and the AFM
Read MoreRon Hess talks about great beat patterns when conducting
Read MoreRon Hess wraps up his series “From Piano to Ensemble” with Part 5.
Read MoreRon Hess continues his series “From Piano to Ensemble” with part 4 of 5
Read MoreRon Hess continues his look at the progression from piano to ensemble in Part 3 of the series.
Read MoreRon Hess continues his look at orchestration in part 2 of this article series.
Read MoreRon Hess explores the art of orchestration
Read MoreRon Hess talks about choosing the best notation software for your projects
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