There’s often no pressure cooker like a recording studio where the clock is running, and the egos are flaring. Add to that the rage of racial injustice and the diva behavior of an ego that’s earned and it’s a session ready for an eruption. The tortuous, yet tuneful process of getting that song sung opens […]
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Putting hypnotic structure to criminal chaos with “Echo Boomers”
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Continuing to explore alien worlds and the nature of android parenting in “Raised by Wolves”
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Veering from the sonic insanity of “Unhinged” to the emotional apocalypse at “Greenland”
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A kick-ass double team has the bill come due again for a martial arts star who’s taking names
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Going inventively old and new school with “Hollywood” and “The Great” while finally catching “The Hunt’s” darkly satirical quarry
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Rhythmically scoring men of action with “Bloodshot” and “Spenser: Confidential”
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Scoring into the mouth of cosmic madness to conjure a Lovecraftian miasma for “Color out of Space”
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A composing team to beat puts pedal to the retro for “Ford v Ferrari”
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Finding the humor, horror and humanity with “Jojo Rabbit’s” surreal sunset for Hitler
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Having his merry way with heaven and hell for “Good Omens’” end of days
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HELLRAISER’s master of old school horror scoring gets transformed by being re-buried in a PET SEMATARY
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Bringing the heroic bands back together with “Star Trek: Discovery” and “The Umbrella Academy”
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A king of modern classical scoring continues his reign with “Mary, Queen of Scots”
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Scoring the not-so alternate fascist world order for a new season of “The Man in the High Castle”
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Getting even bigger with his score for “Ant-Man and the Wasp”
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Musically voicing one of a trio of androids seeking a soul in the ever-changing videogame “Detroit Become Human”
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Hearing the death of a woman, and a presidential dream in the haunted waters of “Chappaquiddick”
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Creating a new force of alien scoring with Ben Salisbury for “Annihilation”
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Hearing the eerily twisted musical words that makes for “Mindhunter’s” killer interviews
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Scoring the speech of no surrender for Winston Churchill’s “Darkest Hour”
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France’s rising composer of retro-styled horror scoring visits America’s legendary haunted house for “Amityville: The Awakening”
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Scoring on through to the other side with a new generation of “Flatliners”
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Once again haunting the American badlands with Nick Cave for “Wind River”
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Making equations and icons of history come to musical life with “Genius” and “Churchill”
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A composer finds himself in the real, and existential hiding space of “Wakefield”
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A youthful composer steals a stylistic grab bag of scores with “Going in Style” and “Gifted”
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A composer finds an eerily beautiful, waltzing “Cure for Wellness.” Just don’t count the eels
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