Interview with Dara Taylor
Putting hypnotic structure to criminal chaos with “Echo Boomers”
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15Nov2020
28Sep2020
Interview with Marc Streitenfeld
Continuing to explore alien worlds and the nature of android parenting in “Raised by Wolves”
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21Aug2020
Interview with David Buckley
Veering from the sonic insanity of “Unhinged” to the emotional apocalypse at “Greenland”
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15Jun2020
Interview: Director Jesse V. Johnson and composer Sean Murray
A kick-ass double team has the bill come due again for a martial arts star who’s taking names
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01May2020
Interview with Nathan Barr
Going inventively old and new school with “Hollywood” and “The Great” while finally catching “The Hunt’s” darkly satirical quarry
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26Mar2020
Interview with Steve Jablonsky
Rhythmically scoring men of action with “Bloodshot” and “Spenser: Confidential”
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31Jan2020
Interview with Colin Stetson
Scoring into the mouth of cosmic madness to conjure a Lovecraftian miasma for “Color out of Space”
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15Nov2019
Interview with Marco Beltrami and Buck Sanders
A composing team to beat puts pedal to the retro for “Ford v Ferrari”
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18Oct2019
Interview with Michael Giacchino
Finding the humor, horror and humanity with “Jojo Rabbit’s” surreal sunset for Hitler
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11Sep2019
31May2019
Interview with David Arnold
Having his merry way with heaven and hell for “Good Omens’” end of days
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04Apr2019
Interview with Christopher Young
HELLRAISER’s master of old school horror scoring gets transformed by being re-buried in a PET SEMATARY
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06Feb2019
Interview with Jeff Russo
Bringing the heroic bands back together with “Star Trek: Discovery” and “The Umbrella Academy”
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05Dec2018
Interview with Max Richter
A king of modern classical scoring continues his reign with “Mary, Queen of Scots”
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04Oct2018
Interview with Dominic Lewis
Scoring the not-so alternate fascist world order for a new season of “The Man in the High Castle”
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16Aug2018
03Jul2018
Interview with Christophe Beck
Getting even bigger with his score for “Ant-Man and the Wasp”
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15May2018
Interview with Nima Fakhrara
Musically voicing one of a trio of androids seeking a soul in the ever-changing videogame “Detroit Become Human”
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03Apr2018
Interview with Garth Stevenson
Hearing the death of a woman, and a presidential dream in the haunted waters of “Chappaquiddick”
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23Feb2018
Interview with Geoff Barrow
Creating a new force of alien scoring with Ben Salisbury for “Annihilation”
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04Jan2018
Interview with Jason Hill
Hearing the eerily twisted musical words that makes for “Mindhunter’s” killer interviews
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21Nov2017
Interview with Dario Marianelli
Scoring the speech of no surrender for Winston Churchill’s “Darkest Hour”
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19Oct2017
Interview with Rob
France’s rising composer of retro-styled horror scoring visits America’s legendary haunted house for “Amityville: The Awakening”
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27Sep2017
Interview with Nathan Barr
Scoring on through to the other side with a new generation of “Flatliners”
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03Aug2017
Interview with Warren Ellis
Once again haunting the American badlands with Nick Cave for “Wind River”
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19Jun2017
Interview with Lorne Balfe
Making equations and icons of history come to musical life with “Genius” and “Churchill”
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16May2017
Interview with Aaron Zigman
A composer finds himself in the real, and existential hiding space of “Wakefield”
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03Apr2017
Interview with Rob Simonsen
A youthful composer steals a stylistic grab bag of scores with “Going in Style” and “Gifted”
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14Feb2017
Interview with Benjamin Wallfisch
A composer finds an eerily beautiful, waltzing “Cure for Wellness.” Just don’t count the eels
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04Jan2017
Interview with Michael Wandmacher
A composer with a talent for furious action now unleashes the “Underworld” saga’s “Blood Wars”
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