Category: Composer Profile

Interview with Dara Taylor

Putting hypnotic structure to criminal chaos with “Echo Boomers”

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Interview with Marc Streitenfeld

Continuing to explore alien worlds and the nature of android parenting in “Raised by Wolves”

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Interview with David Buckley

Veering from the sonic insanity of “Unhinged” to the emotional apocalypse at “Greenland”

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Interview: Director Jesse V. Johnson and composer Sean Murray

A kick-ass double team has the bill come due again for a martial arts star who’s taking names

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Interview with Nathan Barr

Going inventively old and new school with “Hollywood” and “The Great” while finally catching “The Hunt’s” darkly satirical quarry

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Interview with Steve Jablonsky

Rhythmically scoring men of action with “Bloodshot” and “Spenser: Confidential”

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Interview with Colin Stetson

Scoring into the mouth of cosmic madness to conjure a Lovecraftian miasma for “Color out of Space”

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Interview with Marco Beltrami and Buck Sanders

A composing team to beat puts pedal to the retro for “Ford v Ferrari”

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Interview with Michael Giacchino

Finding the humor, horror and humanity with “Jojo Rabbit’s” surreal sunset for Hitler

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Interview with Tim Wynn

Finding the powers of “Freaks”

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Interview with David Arnold

Having his merry way with heaven and hell for “Good Omens’” end of days

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Interview with Christopher Young

HELLRAISER’s master of old school horror scoring gets transformed by being re-buried in a PET SEMATARY

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Interview with Jeff Russo

Bringing the heroic bands back together with “Star Trek: Discovery” and “The Umbrella Academy”

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Interview with Max Richter

A king of modern classical scoring continues his reign with “Mary, Queen of Scots”

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Interview with Dominic Lewis

Scoring the not-so alternate fascist world order for a new season of “The Man in the High Castle”

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Interview with Victor Reyes

Taking an artistically haunted trip “Down a Dark Hall”

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Interview with Christophe Beck

Getting even bigger with his score for “Ant-Man and the Wasp”

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Interview with Nima Fakhrara

Musically voicing one of a trio of androids seeking a soul in the ever-changing videogame “Detroit Become Human”

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Interview with Garth Stevenson

Hearing the death of a woman, and a presidential dream in the haunted waters of “Chappaquiddick”

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Interview with Geoff Barrow

Creating a new force of alien scoring with Ben Salisbury for “Annihilation”

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Interview with Jason Hill

Hearing the eerily twisted musical words that makes for “Mindhunter’s” killer interviews

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Interview with Dario Marianelli

Scoring the speech of no surrender for Winston Churchill’s “Darkest Hour”

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Interview with Rob

France’s rising composer of retro-styled horror scoring visits America’s legendary haunted house for “Amityville: The Awakening”

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Interview with Nathan Barr

Scoring on through to the other side with a new generation of “Flatliners”

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Interview with Warren Ellis

Once again haunting the American badlands with Nick Cave for “Wind River”

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Interview with Lorne Balfe

Making equations and icons of history come to musical life with “Genius” and “Churchill”

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Interview with Aaron Zigman

A composer finds himself in the real, and existential hiding space of “Wakefield”

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Interview with Rob Simonsen

A youthful composer steals a stylistic grab bag of scores with “Going in Style” and “Gifted”

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Interview with Benjamin Wallfisch

A composer finds an eerily beautiful, waltzing “Cure for Wellness.” Just don’t count the eels

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Interview with Michael Wandmacher

A composer with a talent for furious action now unleashes the “Underworld” saga’s “Blood Wars”

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