Interview with Garth Stevenson
Hearing the death of a woman, and a presidential dream in the haunted waters of “Chappaquiddick”
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03Apr2018
23Feb2018
Interview with Geoff Barrow
Creating a new force of alien scoring with Ben Salisbury for “Annihilation”
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04Jan2018
Interview with Jason Hill
Hearing the eerily twisted musical words that makes for “Mindhunter’s” killer interviews
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21Nov2017
Interview with Dario Marianelli
Scoring the speech of no surrender for Winston Churchill’s “Darkest Hour”
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19Oct2017
Interview with Rob
France’s rising composer of retro-styled horror scoring visits America’s legendary haunted house for “Amityville: The Awakening”
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27Sep2017
Interview with Nathan Barr
Scoring on through to the other side with a new generation of “Flatliners”
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03Aug2017
Interview with Warren Ellis
Once again haunting the American badlands with Nick Cave for “Wind River”
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19Jun2017
Interview with Lorne Balfe
Making equations and icons of history come to musical life with “Genius” and “Churchill”
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16May2017
Interview with Aaron Zigman
A composer finds himself in the real, and existential hiding space of “Wakefield”
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03Apr2017
Interview with Rob Simonsen
A youthful composer steals a stylistic grab bag of scores with “Going in Style” and “Gifted”
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14Feb2017
Interview with Benjamin Wallfisch
A composer finds an eerily beautiful, waltzing “Cure for Wellness.” Just don’t count the eels
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04Jan2017
Interview with Michael Wandmacher
A composer with a talent for furious action now unleashes the “Underworld” saga’s “Blood Wars”
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05Dec2016
19Oct2016
09Sep2016
Interview with Christian Jacob and Tierney Sutton
Two band mates board Air Eastwood for “Sully’s” jazzily distinctive take on a disaster with a happy ending
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02Aug2016
21Jun2016
Interview with Robert McDowell and Andy Hull
Vocally re-animating a score for “Swiss Army Man”
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24May2016
Interview with Alex Heffes
Taking a new musical journey through Africa, and America to re-capture a people’s “Roots”
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09Mar2016
Interview with Bobby Johnston
Serving up eccentrically flavored and musically multi-ethnic courses to give taste to a “City of Gold”
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02Feb2016
Interview with Atli Örvarsson
Going to his icy home turf to shepherd in the score, and film of “Rams”
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04Jan2016
Interview with Charlie Clouser
A composer often called to horrific nihilism evolves with the sci-fi transcendence “Childhood’s End”
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02Dec2015
13Oct2015
Interview with Dan Romer
Having ventured with a child into a magical “Southern Wild,” Dan Romer now embarks on the transfixing descendent of a child soldier as he joins the “Beasts of No Nation”
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09Sep2015
Interview with John Paesano
A composer solves the “Maze” to fully test his music in a post-apocalyptic world of the YA franchise’s epic sequel “The Scorch Trials”
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05Aug2015
Interview with Daniel Pemberton
Putting international spy action swing into a new retro movie mission for “The Man from U.N.C.L.E.”
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08Jun2015
Interview with Joseph LoDuca
“The Evil Dead” composer finds a girlfriend from hell is the funniest musical demon to fight when it comes to “Burying the Ex”
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20May2015
Interview with Jed Kurzel
An Australian eccentrist takes a waltzing, fish out of water approach to America’s “Slow West”
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10Mar2015
Interview with Jason Graves
The rampaging “Dead Space” composer now gives elegantly mournful purpose to the werewolf-battling videogame knights of “The Order: 1886”
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14Jan2015
Interview with Geoff Zanelli
Getting an aristocratic 60s swing on with Mark Ronson for “Mortdecai’s” art-snatching caper adventure
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04Dec2014
Interview with Alexandre Desplat
A year in review for a remarkably busy composer, who just might yet capture an Oscar in 2014 with a salvo of war-centric scores that end with “Unbroken”
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