Interview with Jed Kurzel
An Australian eccentrist takes a waltzing, fish out of water approach to America’s “Slow West”
Read MoreAn Australian eccentrist takes a waltzing, fish out of water approach to America’s “Slow West”
Read MoreThe rampaging “Dead Space” composer now gives elegantly mournful purpose to the werewolf-battling videogame knights of “The Order: 1886”
Read MoreGetting an aristocratic 60s swing on with Mark Ronson for “Mortdecai’s” art-snatching caper adventure
Read MoreA year in review for a remarkably busy composer, who just might yet capture an Oscar in 2014 with a salvo of war-centric scores that end with “Unbroken”
Read MorePutting the Holy Ghost in the machines of “Automata”
Read MoreA composer finds Indian soul amidst his native country’s zombie apocalypse
Read MoreCan a composer find his own icily ironic TV trail from a famed Carter Burwell film score? You betcha!
Read MoreThe “Frozen” composer never says die when it comes to taking on a whole new world of sci-fi thrills with “Edge of Tomorrow”
Read MoreTwo musical siblings reflect the scares of a brother and sister attempting to destroy the possessed mirror of “Oculus”
Read MoreMaking his major push into action scoring pole position with “Need for Speed”
Read MoreAn Israeli composer devilishly teaches us to playfully fear the “Big Bad Wolves”
Read MoreSuiting up for the heroic sound of “47 Ronin” and the emotionally constricted “Invisible Woman”
Read MoreTwo special editions of On the Score brings you to the composer-filled panels of FANS OF FILM MUSIC 4
Read MoreA special podcast of On the Score attends the second panel of Fans of Family Music 4, as composer agent Richard Kraft moderates the event’s second panel with Sara Andon, John Altman, Christophe Beck, Randy Edelman, Christopher Lennertz, Joseph LoDuca and Robert Townson
Read MoreA special podcast of On the Score attends Fans of Family Music 4, as film music journalist Daniel Schweiger moderates the event’s first panel with Nathan Bar, Jeff Beal, Cliff Eidelman, Reinhold Heil, Harry Manfredini, Cliff Martinez and Mark McKenzie
Read MoreOne of horror scoring’s most disturbing acolytes flings himself again into The Further with “Insidious: Chapter 2”
Read MoreA Gen X composer knows his direction with alternative young adult scoring for “The Spectacular Now” and “The Way Way Back”
Read MoreGive a classical bite to the vampiric female empowerment in “Byzantium”
Read MoreScoring inside the mind of serial killers for the television couch trip of “Hannibal”
Read MorePeter Calandra, New York City-based composer has recently scored ESPN’s ‘Pat XO’ in which a special screening will occur at the 2013 Tribeca Film Festival, Sunday 4/21 and Saturday 4/27
Read MoreImpactfully playing love, and the postwar culture clash of “Emperor”
Read MoreA witch-hunting the Icelandic composer goes with Hansel and Gretel
Read MoreNothing is “Impossible” for this Spanish composer when playing emotion amidst catastrophe for a true-life disaster film
Read MoreNobody does it better when straddling experimental and mainstream scoring in Hollywood. Now Thomas Newman talks about getting his big action score shot for “Skyfall”
Read MoreThe French composer is back in Luc and Liam’s company with a very special set of action scoring skills for scoring “Taken 2”
Read MoreA rising composer of quality dramas hears the lush, lying sound of “The Words”
Read MoreAn indie composer finds a new world of orchestral horror after opening a Dybbuk Box
Read MoreAn ex-Bunnyman hops between two alt. score borders in his feature scoring debut for Olvier’s Stone’s return to savage form
Read MoreA composer who excells in larger-than-life heroism assembles his powers to play Earth’s Mightiest Heroes
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