Interview with Howard Shore
Constructing the powerful “Pieces of a Woman”
Read MoreMaking the winning melodic moves with “The Queen’s Gambit”
Read MorePiloting an alternative musical route to Mars while staying on earth with “Away”
Read MoreCreating a hauntingly surreal score for “Shirley’s” tale of madness and eroticism
Read MoreMusically marching on the side of the left, and right with “Mrs. America”
Read MoreA composer and director create the ultimate musical love letter to Luisa May Alcott, with a difference
Read MoreBringing a new musical spell to Thra with “The Dark Crystal: Age of Resistance”
Read MoreA neighborhood character-tuned collaboration hits another major emotional home run at the “Bottom of the 9th”
Read MoreBringing a new talk show swing to her scoring by striking up the band of “Late Night”
Read MoreAfter playing the retro horror of IT FOLLOWS and the morally conflicted action of TRIPLE FRONTIER a tone-shifting composer now channels the film noir to be found UNDER THE SILVER LAKE
Read MoreOne of drama’s most creative composers ventures into the worlds of science fiction and superheroes with CAPTIVE STATE and FAST COLOR
Read MoreAssuming multiple musical identities for M. Night Shyamalan’s real world superheroes in “Glass”
Read MoreAn eclectic indie composing duo team again with a daring filmmaker-actor to play the impossible conversion of “Boy Erased”
Read MoreA master of Italian horror scoring picks up the strings for a famed continental villain and his playthings with “Puppet Master: The Littlest Reich”
Read MoreReimagining an rocking 1950’s-style orchestral big top for the 80’s cult classic “Killer Klowns from Outer Space”
Read MorePowerfully scoring between the words of reality and fantasy for “I Kill Giants”
Read MoreA music editor marches to Hans Zimmer’s rhythm for “Dunkirk” for a historic Oscar nomination as co-leader of the sound editorial troops
Read MoreCashing in with “All the Money in the World” and “Molly’s Game”
Read MoreA composer who carries the indie torch for director Richard Linklater now picks up a 70’s rock groove for aging vets in “Last Flag Flying”
Read MoreThe terror tag-team of composer and director for horror’s favorite Good Guy multiplies for an asylum holding the “Cult of Chucky”
Read MoreHauntingly scoring the white sheet melancholy of the afterlife for “A Ghost Story”
Read MoreCaptaining his own “Pirates” ship into The Devil’s Triangle for “Dead Men Tell No Tales”
Read MoreLinking indie relationship dysfunction with giant monster mashing for the music of “Colossal”
Read MoreA cello-driven composer powerfully evokes the tragic reality of “Cries from Syria”
Read MoreA composer of full-throttle genre action finally goes to ask Alice for the first time with the climactic “Resident Evil: The Final Chapter”
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