Interview with Anna Drubich
Invoking bitingly humorous werewolves and a deadly serious witch, a multi-faceted Russian composer makes a name for herself in Hollywood horror
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16Jul2021
07Jun2021
Interview with Jeff Grace
Finding the emotional spot for a post-apocalyptic deer boy fairy tale in “Sweet Tooth”
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12Mar2021
Interview with Electric Youth and Pilotpriest
The 80’s ghost in the synth machine has never been more alive than in a soundtrack explosion exhumed from the likes of Charles Bernstein’s “A Nightmare on Elm Street,” John Carpenter and Alan Howarth’s “Prince of Darkness” and Michel Rubini’s “Manhunter.” It’s a tone that can be both rhythmically aggressive and ethereally haunting, particularly when […]
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26Feb2021
08Jan2021
23Oct2020
Interview with Carlos Rafael Rivera
Making the winning melodic moves with “The Queen’s Gambit”
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22Sep2020
Interview with Will Bates
Piloting an alternative musical route to Mars while staying on earth with “Away”
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05Jun2020
Interview with Tamar-kali
Creating a hauntingly surreal score for “Shirley’s” tale of madness and eroticism
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15Apr2020
Interview with Kris Bowers
Musically marching on the side of the left, and right with “Mrs. America”
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28Feb2020
16Dec2019
Interview with Alexandre Desplat and Greta Gerwig
A composer and director create the ultimate musical love letter to Luisa May Alcott, with a difference
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04Oct2019
30Aug2019
Interview with Daniel Pemberton
Bringing a new musical spell to Thra with “The Dark Crystal: Age of Resistance”
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22Jul2019
Interview with composer Stephen Endelman and filmmaker Raymond De Felitta
A neighborhood character-tuned collaboration hits another major emotional home run at the “Bottom of the 9th”
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06Jun2019
Interview with Lesley Barber
Bringing a new talk show swing to her scoring by striking up the band of “Late Night”
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17Apr2019
Interview with Disasterpeace
After playing the retro horror of IT FOLLOWS and the morally conflicted action of TRIPLE FRONTIER a tone-shifting composer now channels the film noir to be found UNDER THE SILVER LAKE
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13Mar2019
Interview with Rob Simonsen
One of drama’s most creative composers ventures into the worlds of science fiction and superheroes with CAPTIVE STATE and FAST COLOR
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16Jan2019
Interview with West Dylan Thordson
Assuming multiple musical identities for M. Night Shyamalan’s real world superheroes in “Glass”
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01Nov2018
Interview with Danny Bensi, Saunder Jurriaans and Joel Edgerton
An eclectic indie composing duo team again with a daring filmmaker-actor to play the impossible conversion of “Boy Erased”
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19Sep2018
08Aug2018
Interview with Fabio Frizzi
A master of Italian horror scoring picks up the strings for a famed continental villain and his playthings with “Puppet Master: The Littlest Reich”
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26Jun2018
02May2018
Interview with John Massari
Reimagining an rocking 1950’s-style orchestral big top for the 80’s cult classic “Killer Klowns from Outer Space”
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20Mar2018
Interview with Laurent Perez del Mar
Powerfully scoring between the words of reality and fantasy for “I Kill Giants”
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16Feb2018
Interview with Alex Gibson
A music editor marches to Hans Zimmer’s rhythm for “Dunkirk” for a historic Oscar nomination as co-leader of the sound editorial troops
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20Dec2017
Inteview with Daniel Pemberton
Cashing in with “All the Money in the World” and “Molly’s Game”
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02Nov2017
Interview with Graham Reynolds
A composer who carries the indie torch for director Richard Linklater now picks up a 70’s rock groove for aging vets in “Last Flag Flying”
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03Oct2017
Interview with Joseph Lo Duca and Don Mancini
The terror tag-team of composer and director for horror’s favorite Good Guy multiplies for an asylum holding the “Cult of Chucky”
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10Aug2017
03Jul2017
Interview with Daniel Hart
Hauntingly scoring the white sheet melancholy of the afterlife for “A Ghost Story”
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