The 80’s ghost in the synth machine has never been more alive than in a soundtrack explosion exhumed from the likes of Charles Bernstein’s “A Nightmare on Elm Street,” John Carpenter and Alan Howarth’s “Prince of Darkness” and Michel Rubini’s “Manhunter.” It’s a tone that can be both rhythmically aggressive and ethereally haunting, particularly when […]
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Making the winning melodic moves with “The Queen’s Gambit”
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Piloting an alternative musical route to Mars while staying on earth with “Away”
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Creating a hauntingly surreal score for “Shirley’s” tale of madness and eroticism
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Musically marching on the side of the left, and right with “Mrs. America”
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A composer and director create the ultimate musical love letter to Luisa May Alcott, with a difference
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Bringing a new musical spell to Thra with “The Dark Crystal: Age of Resistance”
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A neighborhood character-tuned collaboration hits another major emotional home run at the “Bottom of the 9th”
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Bringing a new talk show swing to her scoring by striking up the band of “Late Night”
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After playing the retro horror of IT FOLLOWS and the morally conflicted action of TRIPLE FRONTIER a tone-shifting composer now channels the film noir to be found UNDER THE SILVER LAKE
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One of drama’s most creative composers ventures into the worlds of science fiction and superheroes with CAPTIVE STATE and FAST COLOR
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Assuming multiple musical identities for M. Night Shyamalan’s real world superheroes in “Glass”
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An eclectic indie composing duo team again with a daring filmmaker-actor to play the impossible conversion of “Boy Erased”
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A master of Italian horror scoring picks up the strings for a famed continental villain and his playthings with “Puppet Master: The Littlest Reich”
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Reimagining an rocking 1950’s-style orchestral big top for the 80’s cult classic “Killer Klowns from Outer Space”
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Powerfully scoring between the words of reality and fantasy for “I Kill Giants”
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A music editor marches to Hans Zimmer’s rhythm for “Dunkirk” for a historic Oscar nomination as co-leader of the sound editorial troops
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Cashing in with “All the Money in the World” and “Molly’s Game”
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A composer who carries the indie torch for director Richard Linklater now picks up a 70’s rock groove for aging vets in “Last Flag Flying”
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The terror tag-team of composer and director for horror’s favorite Good Guy multiplies for an asylum holding the “Cult of Chucky”
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Hauntingly scoring the white sheet melancholy of the afterlife for “A Ghost Story”
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Captaining his own “Pirates” ship into The Devil’s Triangle for “Dead Men Tell No Tales”
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Linking indie relationship dysfunction with giant monster mashing for the music of “Colossal”
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