Interview with Hildur Guðnadóttir
Taking the composing lead in the saga of “Sicario”
Read MoreReimagining an rocking 1950’s-style orchestral big top for the 80’s cult classic “Killer Klowns from Outer Space”
Read MorePowerfully scoring between the words of reality and fantasy for “I Kill Giants”
Read MoreA music editor marches to Hans Zimmer’s rhythm for “Dunkirk” for a historic Oscar nomination as co-leader of the sound editorial troops
Read MoreCashing in with “All the Money in the World” and “Molly’s Game”
Read MoreA composer who carries the indie torch for director Richard Linklater now picks up a 70’s rock groove for aging vets in “Last Flag Flying”
Read MoreThe terror tag-team of composer and director for horror’s favorite Good Guy multiplies for an asylum holding the “Cult of Chucky”
Read MoreHauntingly scoring the white sheet melancholy of the afterlife for “A Ghost Story”
Read MoreCaptaining his own “Pirates” ship into The Devil’s Triangle for “Dead Men Tell No Tales”
Read MoreLinking indie relationship dysfunction with giant monster mashing for the music of “Colossal”
Read MoreA cello-driven composer powerfully evokes the tragic reality of “Cries from Syria”
Read MoreA composer of full-throttle genre action finally goes to ask Alice for the first time with the climactic “Resident Evil: The Final Chapter”
Read MoreMusically finding the right fit through August Wilson’s words as Denzel Washington stages “Fences” for the big screen
Read MoreTeaming with, then resurrecting James Horner for a final, furious round-up of western heroism to co-score “The Magnificent Seven”
Read MoreA composer who continues to vote for The Purge on “Election Night”
Read MoreThe composer of “Pi,” “Requiem for a Dream” and “Black Swan” makes his most melodically enticing descent into madness with “High-Rise”
Read MoreTwo South African composers see in tragic synchronicity for “Eye in the Sky”
Read MoreMaking the winning play from greed to inspiration with “Madoff” and “Greater”
Read More“IN THE HEART OF THE SEA” makes the biggest wave of this year’s exceptionally stylistic scores
Read MoreNo one puts Igor in a corner when rampaging melodic bromance strikes the creation of “Victor Frankenstein”
Read MoreCapturing the post-apocalyptic love triangle of “Z for Zachariah”
Read MoreLeaving Gru to give the “Minions” an energetic solo scoring act
Read MoreA noted film and TV composer once again returns to his Broadway-bound roots with the pan-Pacific, cross-cultural musical “Waterfall”
Read MoreFinding the heavenly sound of immortality with “The Age of Adaline”
Read MoreMusically documenting the doubting apocalypse of “Merchants’” comedic circus of lies
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