Inteview with Daniel Pemberton
Cashing in with “All the Money in the World” and “Molly’s Game”
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20Dec2017
02Nov2017
Interview with Graham Reynolds
A composer who carries the indie torch for director Richard Linklater now picks up a 70’s rock groove for aging vets in “Last Flag Flying”
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03Oct2017
Interview with Joseph Lo Duca and Don Mancini
The terror tag-team of composer and director for horror’s favorite Good Guy multiplies for an asylum holding the “Cult of Chucky”
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10Aug2017
03Jul2017
Interview with Daniel Hart
Hauntingly scoring the white sheet melancholy of the afterlife for “A Ghost Story”
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23May2017
Interview with Geoff Zanelli
Captaining his own “Pirates” ship into The Devil’s Triangle for “Dead Men Tell No Tales”
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05Apr2017
Interview with Bear McCreary
Linking indie relationship dysfunction with giant monster mashing for the music of “Colossal”
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08Mar2017
Interview with Martin Tillman
A cello-driven composer powerfully evokes the tragic reality of “Cries from Syria”
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18Jan2017
Interview with Paul Haslinger
A composer of full-throttle genre action finally goes to ask Alice for the first time with the climactic “Resident Evil: The Final Chapter”
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19Dec2016
Interview with Marcelo Zarvos
Musically finding the right fit through August Wilson’s words as Denzel Washington stages “Fences” for the big screen
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04Nov2016
14Sep2016
Interview with Simon Franglen
Teaming with, then resurrecting James Horner for a final, furious round-up of western heroism to co-score “The Magnificent Seven”
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26Jul2016
30Jun2016
Interview with Nathan Whitehead
A composer who continues to vote for The Purge on “Election Night”
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03May2016
Interview with Clint Mansell
The composer of “Pi,” “Requiem for a Dream” and “Black Swan” makes his most melodically enticing descent into madness with “High-Rise”
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06Apr2016
02Mar2016
Interview with Paul Hepker and Mark Kilian
Two South African composers see in tragic synchronicity for “Eye in the Sky”
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26Jan2016
Interview with Stephen Raynor- Endelman
Making the winning play from greed to inspiration with “Madoff” and “Greater”
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10Dec2015
The Best Scores of 2015
“IN THE HEART OF THE SEA” makes the biggest wave of this year’s exceptionally stylistic scores
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18Nov2015
Interview with Craig Armstrong
No one puts Igor in a corner when rampaging melodic bromance strikes the creation of “Victor Frankenstein”
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01Oct2015
25Aug2015
Interview with Heather McIntosh
Capturing the post-apocalyptic love triangle of “Z for Zachariah”
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07Jul2015
Interview with Heitor Pereira
Leaving Gru to give the “Minions” an energetic solo scoring act
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02Jun2015
Interview with David Shire
A noted film and TV composer once again returns to his Broadway-bound roots with the pan-Pacific, cross-cultural musical “Waterfall”
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21Apr2015
Interview with Rob Simonsen
Finding the heavenly sound of immortality with “The Age of Adaline”
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04Mar2015
Interview with Mark Adler
Musically documenting the doubting apocalypse of “Merchants’” comedic circus of lies
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30Dec2014
Interview with Alex Ebert
An alternative composer conveys the trance of ambition that marks “A Most Violent Year”
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04Nov2014
Interview with Johann Johannsson
An Icelandic experimentalist finds a film music “Theory of Everything.”
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01Oct2014
Interview with Gustavo Dudamel
A conductor famed for his passion now creates his own equally dramatic score with the nationalistic charge of “The Liberator”
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06Aug2014
Interview with Brian Tyler
One of Hollywood’s hardest working composers blasts away with the August triple threat of “Teenage Mutant Ninja Turtles,” “The Expendables 3” and “Into the Storm”
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