Interview with Germaine Franco
Being It when scoring bros playing “Tag”
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13Jun2018
04Apr2018
Interview with Marco Beltrami
Scoring a family who must avoid sound at all monstrous costs in “A Quiet Place”
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15Feb2018
30Nov2017
11Oct2017
Interview with Tom Howe
A strong scoring talent is revealed with the sensual creation of an iconic super heroine alongside “Professor Marston and the Wonder Women”
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21Sep2017
Interview with Clint Mansell
Painting a picture of an artistically possessed icon with “Loving Vincent”
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13Jul2017
Interview with Brian Reitzell
Paying eclectic and inventive musical worship to Neil Gaiman’s “American Gods”
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02Jun2017
Interview with Rupert Gregson-Williams
Scoring with strength and heart for DC’s Amazonian Avenger with the epic music origin story of “Wonder Woman”
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01May2017
Interview with Mandy Hoffman
Bringing a lushly romantic French touch to the American indie cheaters of “The Lovers”
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07Mar2017
Interview with Michael Abels
Hearing ethnically satirical horror while breaking through with “Get Out”
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01Feb2017
Interview with Andrew Lockington
Casting a soaring, romantic spell for an earthbound starboy
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23Dec2016
Interview with Fernando Velazquez
Hearing the moving music of loss and fear when “A Monster Calls”
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17Nov2016
Interview with Lesley Barber
Creating the classical songs of sadness that flow through “Manchester by the Sea”
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05Oct2016
Interview with Mark Isham
Calculating an action hero with a uniquely special set of musical skills for “The Accountant”
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08Aug2016
Interview with Christopher Lennertz
Slaying food isn’t musical kid’s stuff in “Sausage Party”
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12Jul2016
Interview with Alex Somers
Finding the Zen of nature versus nurture with “Captain Fantastic”
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14Jun2016
Interview with Cliff Martinez
Continuing a twisted collaboration with Nicolas Winding Refn as they take a retro-groovy catwalk to hell with “The Neon Demon”
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13Apr2016
Interview with The Blair Brothers
A sibling-scoring band creates killer tension within the “Green Room”
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16Feb2016
11Jan2016
Interview with George Fenton
Parking with the humorously waltzing madness of “The Lady in the Van”
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07Dec2015
Interview with Roque Baños
Stepping into a wider Hollywood ocean to tell a whale of a tragic tale “In the Heart of the Sea”
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03Nov2015
Interview with Michael Brook
An immigrant composer with a vibe for the ethnic makes an Irish woman feel at home in “Brooklyn”
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02Sep2015
Interview with Pedro Bromfman
A Brazilian composer often in the musical company of drug runners takes on the Colombian cocaine saga of Pablo Escobar for Netflix’s “Narcos”
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14Jul2015
Interview with Christophe Beck
Getting small with a big, heroically bright and brash score for “Ant-Man”
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22May2015
Interview with Andrew Lockington
For a composer with increasingly epic scores, “San Andreas” is truly The Big One
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07Apr2015
Interview with Benjamin Wallfisch
Exploring elegiac musical frontiers with “Desert Dancer” and “Bhopal: A Prayer for Rain”
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04Feb2015
Interview with John Debney
A busier-than-ever composer with a flair for fantasy surfaces with the biggest “SpongeBob” movie yet, then intimately hammers in “The Cobbler’s” quirky Klezmer-isms along with Devotchka’s Nick Urata
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19Dec2014
Interview with Jason Moran
A jazzman marches with MLK for a powerful score that stands up to “Selma’s” oppression
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07Oct2014
Interview with Justin Hurwitz and Tim Simonec
Two composers keep a mean jazz beat for a hopeful drummer and a soul-crushing teacher from hell in the stunning “Whiplash”
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17Sep2014
Interview with Harry Gregson-Willams
Returning with a bang for filmmaker Antoine Fuqua and star Denzel Washington as a composer who put new-school action on the map for a revitalized “Equalizer”
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