Interview with Dustin O’Halloran
Hearing the inner resolve of “The Hate U Give”
Read MoreVenturing from “Penny Dreadful” to Blumhouse’s Abbey of Horror
Read MoreScaling new heights of action scoring excitement with “Skyscraper”
Read MoreScoring a family who must avoid sound at all monstrous costs in “A Quiet Place”
Read MoreA strong scoring talent is revealed with the sensual creation of an iconic super heroine alongside “Professor Marston and the Wonder Women”
Read MorePainting a picture of an artistically possessed icon with “Loving Vincent”
Read MorePaying eclectic and inventive musical worship to Neil Gaiman’s “American Gods”
Read MoreScoring with strength and heart for DC’s Amazonian Avenger with the epic music origin story of “Wonder Woman”
Read MoreBringing a lushly romantic French touch to the American indie cheaters of “The Lovers”
Read MoreHearing ethnically satirical horror while breaking through with “Get Out”
Read MoreCasting a soaring, romantic spell for an earthbound starboy
Read MoreHearing the moving music of loss and fear when “A Monster Calls”
Read MoreCreating the classical songs of sadness that flow through “Manchester by the Sea”
Read MoreCalculating an action hero with a uniquely special set of musical skills for “The Accountant”
Read MoreSlaying food isn’t musical kid’s stuff in “Sausage Party”
Read MoreFinding the Zen of nature versus nurture with “Captain Fantastic”
Read MoreContinuing a twisted collaboration with Nicolas Winding Refn as they take a retro-groovy catwalk to hell with “The Neon Demon”
Read MoreA sibling-scoring band creates killer tension within the “Green Room”
Read MoreParking with the humorously waltzing madness of “The Lady in the Van”
Read MoreStepping into a wider Hollywood ocean to tell a whale of a tragic tale “In the Heart of the Sea”
Read MoreAn immigrant composer with a vibe for the ethnic makes an Irish woman feel at home in “Brooklyn”
Read MoreA Brazilian composer often in the musical company of drug runners takes on the Colombian cocaine saga of Pablo Escobar for Netflix’s “Narcos”
Read MoreGetting small with a big, heroically bright and brash score for “Ant-Man”
Read MoreFor a composer with increasingly epic scores, “San Andreas” is truly The Big One
Read MoreExploring elegiac musical frontiers with “Desert Dancer” and “Bhopal: A Prayer for Rain”
Read MoreA busier-than-ever composer with a flair for fantasy surfaces with the biggest “SpongeBob” movie yet, then intimately hammers in “The Cobbler’s” quirky Klezmer-isms along with Devotchka’s Nick Urata
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