Bennett Lincoff’s Comments on Music Licensing
Bennett Lincoff’s comments to the US Copyright office on a new system of music licensing
Read MoreBennett Lincoff’s comments to the US Copyright office on a new system of music licensing
Read MoreBlack Toast Music’s Bob Mair looks at the business and artistic evolution of music libraries and their role in the music business today
Read MoreGuest writer, Piet De Ridder shares his thoughts on the differences between film music lovers and classical music enthusiasts
Read MoreAlan Elliott talks about recent AMCL unionization efforts and why the community needs the Composers Guild of America
Read MorePeter Alexander talks about his view of the new DVZ Strings virtual instrument
Read MoreComposer John Graham explores where great music comes from, and asks the question, “Is Film Music Great?”
Read MoreComposer Kid Surf tells the story of taking charge of and diversifying his career in an interesting and unique way
Read MoreVaughn Johnson of ScoreKeepers Music discusses the benefits of retitling libraries
Read MoreMegatrax President and CEO Ron Mendelsohn discusses issues with retitling libraries
Read MoreAMCL founder Alan Elliott talks about why the WGA letter is important, and how a composers union can succeed
Read MoreComposer Chris Alpiar shares his open letter to the AMCL about unionizing and what’s best for composers
Read MoreRon Hess, FMM’s “The Chart Doctor”, talks about the future of musicians and the AFM
Read MoreSample Developers, DAW makers and others beware – even composers pull back.
Read MoreComposer and producer Samm Brown III talks about the challenges of African-American film composers in Hollywood today.
Read MoreEighty-four years ago a group of composers joined together to form an organization to protect their rights in the music they created. It was a good idea then, and it’s still a good idea today. But ASCAP is facing some difficult times, with government regulators on one side, agitated users on another, and its own […]
Read MoreIt is difficult to imagine an issue in the performing rights world that has generated more controversy and confusion than the idea of “Straight Payment.” Under this concept, all genres and forms of music are valued the same: songs, theme, score, promos/logos, and music for advertising are all paid at the same rate. Straight Payment […]
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